Due to
popular demand (by which I mean a friend asked me to do it), I’m going to do
another paper comparing the original Star
Wars with Eragon. Now, this going to be a bit different from
the other one because Eragon is
almost exactly like A New Hope, so
I’m going to do a plot summary of Eragon
and make special note of its similarities to and deviances from the plot of A New Hope, then I will do a
character-arc comparison based on the entirety of both series. I will exclude the film version of Eragon because much like the Star Wars Christmas Special it doesn’t actually exist outside of your mind;
they’re just painful hallucinations that your mind creates while you go through
the gom jabar.
As to
my qualifications: of course I’m a Star Wars fan. I’m also an Inheritance Cycle fan (bet you
didn’t know Eragon had a series name
huh?), which is a bit of a tribulation when one goes on the internet. It’s something else to do with the popularity
effect again: Eragon was made into a move so there was backlash against it,
then the movie sucked I mean doesn’t exist so there was further backlash. As a result the series developed quite a
hatedom, which is the opposite of a fandom.
This hatedom developed rabies and became a hate-dumb, a slovenly order
of creature just shy of troll. There’s a
magnificent thread on the forums of TV Tropes where a guy bitches on and on
about how Eragon is a Mary-Sue because he shouldn’t be able to wield a falchion
because he trained with a longsword goddammit, and this other guy keeps trying
to tell him that from the information presented in the book, the sword is an
English falchion, but the first guy won’t listen and continues his griping,
until the second guy provides a link to an image of an English falchion which
is essentially just a longsword that’s only sharp on one side, and the thread
suddenly ends. Now, if it had been
literally any other character in fiction, no one would care what kind of bloody
sword he’d been using. That’s what we’re
dealing with here.
Mind
you, Star Wars has had nearly forty years to develop both an impressive
hate-dumb and fan-dumb. Just say
“Expanded Universe” in a room full of fans and watch them come to blows over
whether they are canon or an AU or if they suck or if they’re better than the
movies and blasphemy, lynch the fucker. And while the prequel trilogy is universally
agreed upon to be inferior to the original series, God help you if you say you
enjoyed a minute of it! Especially so if
you are a younger Star Wars fan who saw the prequel series first. And the old guard, the ones who were lucky
enough to see those movies in theaters, who were genuinely shocked that Darth
Vader and Luke were actually the twin personalities of criminal mastermind The
Joker (that’s a joke, shut up), are rat-bastards about it. Recently I read a ravenous comment on a
picture featuring Leia saving Sleeping Beauty (awesome) that was essentially a
two page paper about how new things are awful, wherein the author of the
comment attacked the prequel films, the Expanded Universe, Disney, Calvin & Hobbes, George Lucas, and
the critically acclaimed 2009 Star Trek,
saying that all of those things were abominations pandering to a modern
audience instead of pandering to him
and his taste and his nostalgia specifically. It made me sick to my stomach. Fuck you, guy. Fuck your very soul.
I
suppose I said all of that to equalize the two series in your mind by making
you equally appalled at their collective fans.
If it made you physically ill, I offer you this riddle to take your mind
off of things. As I was heading to St.
Ives, I met a man with seven wives. Each
of his wives had seven sacks and each of their sacks had seven cats and each of
those cats had seven kits and each of those kits had seven mitts. How many were going to St. Ives? You mull that over while I get on with the
paper (read: watch a YouTube video).
Anyways:
Eragon is the tale of a young farmboy
who finds himself a dragon’s egg. He
becomes psychically bonded to it like the legendary order of dragon riders that
once protected the land until they were betrayed by a handful of young
prodigies and destroyed, establishing a vaguely oppressive Empire. When the Empire catches wind of this, they
send a pair of shadowy badass monster-men to hunt him down and either kill him
or take him to the emperor, but he’s not home so they kill his adopted father
instead. This is the first major
deviation from Star Wars, but
unfortunately while the seeds of major plot shift are planted in this first
book they don’t bear fruit until later books, giving the ravenous hate-dumb
room to grow. What I mean is, Eragon’s
motivation for much of the series is revenge; even after joining the rebellion,
he’s still on the lookout for these nasty beetle-dudes, and whenever he learns
a new spell, his first thought is “can’t wait to try it on them”.
So he
gets himself a wise old mentor named Brom, who is implied to be a retired
Dragon Rider (surpirse surprise; he is!); Brom teaches him how to use magic,
swordfight, and properly ride his dragon, Saphira. The two of them go bug-hunting and spend some
time in a city where they check records concerning the sale of a certain kind
of caustic oil that was used to torture Eragon’s uncle. I don’t remember this scene from Star Wars. Also, Eragon meets a delightfully quirky
witch named Angela who in the nonexistent movie was changed into a generically
creepy if kinda hot lady with no plot relevance. Anyways, Angela reads Eragon’s fortune and
tells him he’s the chosen one! Except
that that’s just hate-dumb propaganda
and doesn’t happen; no one ever says that Eragon is special in any way, except
for the fact that he’s the only Rider on
the good-guy’s side! Having a Rider
is like having an ICBM in this series. She
just tells him that he’ll live a long life and fall in love with royalty, but
it won’t work out, which is only a little more reliable than a fortune cookie
in Seattle on Election Day. Her were-cat
Solembum (heh, solemn bum) however tells Eragon some cryptic bullshit that
won’t pay off for four books, but that’s okay.
So the
gang piles onto the Mystery Dragon and heads to another city where the largest
shipment of the oil went and try to find out where the miserable buggy hitmen
are hiding, but someone sics the guards on Eragon and they flee into the
desert, where they are ambushed by said insectoid assassins, and one of them
kills Brom. Eragon doesn’t even scratch
them, and feels pathetic and worthless and angsty, as well he should, because
Brom was the best character in the series.
But he teams up with a dashing rogue named Murtaugh who actually does
not resemble Han Solo at all; he’s a gloomy bastard. Anyway,
Eragon starts having prophetic visions of a sexy elf-maid in chains and rather
than taking a cold shower like a normal person, he tries to find her instead. Thankfully, it does not turn out to be his
sister. So they track her down to a
military base in some other city but Eragon gets captured by a monster called a
shade, which is basically what Cartman sees when he encounters a ginger. They fight it off and rescue the elf, Arya,
who is slowly dying from poison and needs to be taken to the Varden, aka the
rebels. Murtaugh doesn’t want to, but the
gang kind of forces him to come along, and he kind of has to once they’re in
the middle of the desert and being chased by urgals. Urgals, by the way, are the orcs of this
series. They have horns, and some of
them are giant. Moving on.
Murtaugh
angstily reveals that he is the bastard child of King Galbatorix’ most trusted
enforcer, Morzan, the actually long-dead Darth Vader of this series. Bet you didn’t see that one coming. Eragon and Saphira are assholes and he
bitches them out. Eventually they reach
the hidden rebel base in the ridiculously huge Beor Mountains and find out that
the rebels are actually renting space in a dwarven city. Arya gets her treatment, Eragon meets some
asshole magic users, a few friendly dwarves, and the rebel leader and his sexy
daughter, who are both black. I mention
this because I find that the best gauge of a fantasy work’s quality is the
ability of the author to explain the presence of black people in his medieval
European setting, because how many of you have seen a really shitty fantasy
movie where there are just black people randomly mixed in with the extras? Your society isn’t advanced enough to have
proper waste disposal and yet they have a fully integrated military? Don’t call me racist; whenever fantasy
authors want to have an Asian guy they make him part of this really complex
Asian style culture which is almost always a foreign power somewhat removed
from the main action, unless they’re the antagonist (The Seanchan, the
Counterweight Continent, others). But I
digress.
Eragon
is asked to bless a baby in the scene that probably led to the misconception
that he’s special. The old woman who
asked him calls him “argetlam” a term that is rarely used outside of this
sequence where he’s living in the dwarven city, which is actually the dwarven
word for Dragon Rider. He blesses the
girl and Saphira marks her with a silver star.
This will have far-reaching consequences, mostly by creating an evil
mutant baby named Elva who is the second best character in the series. A horde of Urgals attacks the dwarven city
with a weapon that can destroy a planet except not really. Eragon kills the shade, Durza, in an awesome
scene where Arya and Saphira distract it by exploding a gigantic diamond all
over Durza, but Eragon gets a nasty scar for his trouble, much like how Luke is
disfigured in his fight with Darth Vader, the shade being the Darth Vader of
the first book. Except, I think that
this is handled better in Inheritance.
Please don’t hurt me, just wait a bit and I’ll explain. Think about that riddle until you forget what
I just said.
I’m
gonna cut down on the plot details now though because I mostly did it to get
the big issues out of the way; Eragon’s
resemblance to A New Hope. Yes, there is a definite resemblance, a very
strong resemblance, but I’ve got to tell you, Christopher Paolini wrote this
when he was 15 and his dad published it for him. Who would’ve known that Knopf, a major
publisher, would’ve picked it up and distributed it around the world? Or that Time Magazine would call him
handsome? Seriously they call everyone
who writes a book handsome. They better
not forget to call me handsome when I get published!
This
doesn’t excuse him, but he’s still better than that guy who wrote The Sword of Shyamalan or whatever the
fuck it’s called, which is literally just Lord
of the Rings with the names changed.
Anyway, he’s a far better writer than I was a fifteen. Like Susanne Collins, he’s got that
description thing down. Alagaesia is a
rich and interesting world, and this becomes more apparent in the sequels. Which is not to say that Star Wars isn’t, but
it’s a completely different medium; movies need a good setting more than books
do, and Star Wars is no slouch in that department. And again, this is not to say that books
don’t need a good setting, all fiction needs a good setting, and if you don’t
believe me go see one of those minimalist plays where unshaven hipsters in
nostalgic t-shirts pretend to be Romeo and Juliet and tell me how immersed in
the plot you weren’t. Now, let’s get on
with the head-to-head analysis! To the
hero!
Eragon
and Luke are definitely both “avatar” characters like Shuya in BR.
Luke is definitely less so, because you can’t do it in movies to the
same extent as books, because you have actors that look and sound differently
from anyone else, but they both definitely have that personality, a sort of
blank slate for you to project your insecurities on. You want them to get revenge and get the girl
because that means you get revenge and get the girl; you don’t want to have a
sad ending. And that is why you scour
yourself with steel wool when Leia turns out to be your sister I mean Luke’s
sister. The more distinct a character’s
personality, the more likely they are to come to a bad end, unless the creator
is fucking with you and wants you to be suicidal at the end of the movie when
your avatar gets raped and murdered or his live interest is your sister I mean
his sister.
Anyway
though, here’s the thing I promised earlier that I made you forget about with
that riddle. When Luke gets his hand cut
off, he has it replaced with a mechanical one and other than that, there are no
consequences. He never complains about
the lack of feeling or the pain or how much clumsier it must be or how long it
took for him to get used to it or oh no I accidentally broke this glass because
my new hand is too strong! He just
covers it with a single black glove and gets on with it. If someone saw Jedi without seeing Empire,
they would just assume that Luke took fashion tips from Michael Jackson for
most of the movie. And we know prosthetics in this world suck
because Darth Vader is a lumbering mess of a man, so why doesn’t Luke ever say
anything about it?! Even without seeing
how spry he was as Anakin or how much of his body is actually mechanical, not
even you old guard bastards can look me in the eye and say you didn’t think
Vader was a cyborg!
Eragon’s
scar however is cursed, and it completely cripples his ability to do nearly
anything of use for most of the second book, Eldest. He pretty much
resigns himself to failure and just hopes that he can maybe train the next
Rider after him. He’s devastated, until
the elves heal him with their super-magic that’s somehow still not strong
enough to fight the Empire. Now, the
Vader!
I use
this term to refer to the true villain’s main enforcer. TV Tropes would call this character a Dragon,
but we’re already talking about actual dragons so that would be confusing. Darth Vader is a mechanical monster who can
choke you to death with his mind and deflect light with his palm. He’s got a deep booming voice like the
rumblings of the earth (like a dragon!) and he’s clad head to toe in shining
black armor that even obscures his face, covering it with a mockery of the
human form. He’s a cyborg
samurai-magician, combining the most sinister tropes of every form of genre
into one nightmarish being. No wonder
Luke fights him in his mind on Dagobah, no wonder he’s the most feared creature
in the galaxy (one hesitates to call him a man), much wonder that some people still have the balls to mock his
religion to his face (remember that first dude he strangles in A New Hope? That’s basically what he did). And it turns out he loves his son.
That’s
a perfect fucking character right there.
What does Inheritance offer
us? Not much; a ginger kid in Eragon, a traitor with a red dragon from
the second book onwards, and Morzan in the backstory. Morzan is essentially, well, Kinpatsu
Sakamochi with magical powers and a touch of Darth Vader’s class. It doesn’t help that he’s been dead since
before the first book, or that there’s a scare that he might be Eragon’s dad
(yawn). Mind you he’s not; Paolini was
exploiting our expectations to make the real twist less contrived. Moving on to the dashing rogue!
Do I
really need to tell you about Han Solo?
He shot first man. He is the dashing rogue. They invented that term to describe Han
Solo. He’s a space cowboy and a pirate, making him essentially
Malcolm Reynolds’ grand-daddy, or at least his cool uncle with a
motorcycle. Also, he’s basically a
smoother version of Toshiro Mifune’s character Kikuchyo from the masterpiece Seven Samurai, one of the main
inspirations for not only Star Wars but surprisingly enough the western genre
of film. Yeah, Toshiro Mifune was
awesome. Have you seen Samurai 7 by the way? It’s a sci-fi anime adaptation of Seven Samurai, basically bringing the
whole thing full circle. Where was
I?
Ahem. Murtaugh however is a fairly interesting
character in his own right. He’s an
angsty git unlike his Star Wars
counterpart, but he has reason to
be. His dad was a physically abusive
alcoholic pervert and his mom was daddy’s private assassin. How abusive was he? He threw a three-foot long enchanted
broadsword at the kid when he was only five; it would’ve killed him if Morzan
hadn’t been drunk. And then he becomes
the traitor in Eldest and tells Eragon that they’re (half) siblings. Asshole right? Galbatorix, the emperor, learned his dragon’s
true name while it was still in its egg, and used their psychic link to learn
Murtaugh’s as well. Having someone’s
true name essentially lets you control them, but they’re aware of it the entire
time. If they try to resist they’ll pop
a vein and then do it anyway as they bleed out on the inside. Anyway though, being a magic-knight who rides
dragons and wields a red broadsword is pretty chill. Not quite the same moveset as a Rogue though.
The
mentor! Obi-Wan doesn’t really have much
personality in the original series, he develops that in the prequels (or does
he lose it sitting in the desert for 20 years?), oh shit, he said the prequels
are better in some minor way, burn the witch—how many are going to St. Ives
again? Obi-Wan doesn’t need much of a
personality, he’s smart and compassionate, and a great teacher, and Luke
doesn’t need a quirky hipster of a teacher who likes to argue about how the
latest holoplay isn’t as good as the original text-packet (did you know there’s
no paper in the Star Wars universe?
That’s weird yo). Brom however
is awesome. He and Eragon know each
other for much longer than Obi knows Luke and so they (and therefore we the
readers) get to know them both better and the result is that Brom is
awesome. He’s a former Rider from a city
full of weirdoes who murders the shit out of Morzan for killing Brom’s dragon,
the original Saphira (aw), who founded the Rebel Alliance I mean the Varden and
stole Saphira II’s egg right out from under Galby’s nose. He’s got a ring full of stored up magical
power (which Eragon wastes in the fourth book like a tool) and a blue sword
named Undbitr, which I think is a cool name.
So there.
The
princess! Leia’s a strong beautiful
young woman (whose actress was constantly worrying about her weight; irony?
Maybe) who doesn’t need a man in her life, unlike Hollywood’s perception of
strong beautiful young women, who simply feel the need to remind everyone that
they don’t need a man in their life, but (twist!) actually do. What?
Anyway, Leia’s basically a female version of Shogo Kawada when you think
about it, except that she’s not a little gangster but an upper-class lady. She knows her way around a blaster, she’s not
above seducing the enemy (why the Hell else was she laying like that and acting
all coy when Luke showed up?), she’s a skilled politician, and if the EU is to
be believed she’s also a good cook. So,
yeah, the perfect woman. She does begin
to show more emotional vulnerability once she acknowledges that she’s in love
with Han, and again when Luke reveals that they’re related and flies off on a
big red dragon.
Of
course Arya’s a princess, do you think I’m comparing two dissimilar series?
Phaw. Anyway, she can do just
about everything Leia can after she gets out of her angst I mean poison induced
coma, including use magic if you recall the end of Jedi when Leia turns out to be the “other”. That said, Leia is a fiery passionate
individual, while Arya is cold, calculating, and something of a loner. Since they are thankfully not related, she
ends up reciprocating Eragon’s feelings but due to their duties must be
separated for, it seems like eternity, literally since they’re both
immortal. The shell that she’s put up
around herself begins to crack when Eragon starts to delve into her backstory.
The
Emperor! Palpatine gets extra points for
essentially being the emperor. It seems to me that Star Wars has some of the
most iconic villains in genre fiction; Palpatine, Vader, Greivous, Saruman the
White. According to his own actor,
“Palpatine is evil, more evil than the devil.
The devil, at least, had a fall.”
Imagine him saying that in his Palpatine voice with his creepy fucking Palpatine
face leering at you, and after you’ve finished changing yourself come back here
and finish reading you damned sissy. Of
course, we don’t really get to see him be all that badass until the prequel
movies, where he’s scooting his geriatric ass around like one of those jumping
spiders. And his Imperial regalia are
just a dirty black cloak, I mean come on. Shaddam Corino has a throne of jade, the
Emperors of Melnibone have a throne of living ruby that emits blindingly bright
light, the Fire Lord has a throne made of red velvet and carved golden flames surrounded by actual flames, and you
have a cape and a Bond-villain chair!
Did you buy it from The Claw after he gave up on getting that Gadget?
Before
talking about King Galbatorix, I’m going to address another complaint of the Inheritance hate-dumb. One of the biggest ones out there is that we
“never see the Empire do anything really evil”, “Galbatorix just got rid of
some corrupt power mongers! Who watches
the watchmen?! I saw that movie today!!”,
“The worst thing he did was raise taxes!”
Fuck you. Fuck your very soul. That is
a thing now; you made it be a thing.
Galbatorix overthrew the previous regime by murdering every last member
of it; he successfully committed genocide against the dragons, he drove one of
the last surviving dragons insane so it would serve him, he made his imperial
regalia out of dragon leather \m/(^_^\m/), he learns his subjects’ true names
so they can’t even defect if they want to, he hired a ginger to mind-control an
entire race of bloodthirsty warrior-monsters to destroy his enemies and had them practice on his own subjects, he
uses the actual souls of murdered dragons as a goddamned power source, he uses
the only two members of a species of insect-monster that is described as
humanity’s natural predator as his private assassins and of course he knows that they eat his rivals he pays them in slaves! Oh
yeah, he reinstated the slave trade too.
And those taxes? They’re funding
his cold war with the other nations on the continent. Fuck this guy. Hmm, I guess I don’t have to say anything
else.
Good
night everybody!
Also, you’re the only one heading for St. Ives genius.
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